The Sociocultural Impact of the Carnival Costume in Theatrical Practices in Kinshasa, DRC

Joseph CIMBELA KABONGO; Angèle LANDU LUTONADIO

Joseph CIMBELA KABONGO Full Professor at the Faculty of Sciences, Department of Physics and Applied Sciences, National Pedagogical University (UPN), DRC
Angèle LANDU LUTONADIO Assistant Professor at the Faculty of Letters and Arts, ISETAM, DRC

Keywords: carnival costume, theatrical practice, cultural identity

Abstract

Kinshasa, as the capital of the Democratic Republic of Congo, is a major cultural center in Africa, influencing not only music but also fashion. The artists of Kinshasa play a key role in energizing local culture and fashion, making the latter a vehicle for fame and success. In the fields of theater and cinema, the carnival costume is increasingly prominent, both in film productions and in the staging of performances related to the country’s major historical and political events. Due to their influence, some artists are also sought after for advertising and promoting products from local businesses. Charmes (2016) addresses the symbolic and sociocultural dimension of the carnival costume, a theme that forms the foundation of this study. This study focuses on the traditionally festive aspect associated with popular celebrations, particularly its central role in theatrical productions, where it becomes a powerful tool for artistic expression and social critique. According to Parker (1984), the carnival costume, in the theatrical context, symbolizes transformation, cultural identity, and the questioning of social norms. Thus, it becomes a means of conveying social and political messages while affirming belonging to Congolese culture. This study also highlights the importance of the work of fashion designers and clothing technicians, whose creations help define significant cultural events and strengthen the collective bond around these dress expressions, and it also analyzes the influence of the carnival costume on the theatrical message.

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